The design is an accommodation, mean or harmony,
between several motives mentioned in the first part. The Horned Goat of Mendes, with wings
like those of a bat, is standing on an altar. At the pit of the stomach there is the sign
of Mercury. The right hand is upraised and extended, being the reverse of that benediction
which is given by the Hierophant in the fifth card. In the left hand there is a great
flaming torch, inverted towards the earth. A reversed pentagram is on the forehead. There
is a ring in front of the altar, from which two chains are carried to the necks of two
figures, male and female. These are analogous with those of the fifth card, as if Adam and
Eve after the Fall. Hereof is the chain and fatality of the material life.The figures
are tailed, to signify the animal nature, but there is human intelligence in the faces,
and he who is exalted above them is not to be their master for ever. Even now, he is also
a bondsman, sustained by the evil that is in him and blind to the liberty of service. With
more than his usual derision for the arts which he pretended to respect and interpret as a
master therein, Éliphas Lévi affirms that the Baphometic figure is occult science and
magic. Another commentator says that in the Divine world it signifies predestination, but
there is no correspondence in that world with the things which below are of the brute.
What it does signify is the Dweller on the Threshold without the Mystical Garden when
those are driven forth therefrom who have eaten the forbidden fruit.
: Ravage, violence, vehemence,
extraordinary efforts, force, fatality; that which is predestined but is not for this
reason evil. Reversed: Evil fatality, weakness, pettiness, blindness. |